Sunday, July 15, 2012

The winner of Hitchcock on Hitchcock is . . .

The winner is Carl.


Congratulations!
 
Please send me your shipping address to David@DavidAlanLucas.com

Thank you for reading and please visit www.davidalanlucas.com and www.thewriterslens.com. You can also follow me on twitter @Owlkenpowriter and the Writer’s Lens @TheWritersLens. Fiction is the world where the philosopher is the most free in our society to explore the human condition as he chooses.

Saturday, July 14, 2012

Writing the Fight Scene: "Can a Woman Take on a Man in a Fight and Win?"


As I wrote on July 3rd, I have changed this month's writing the fight scene topic to answer a question posed by one of my readers. The reader wrote on June 19, 2012, "Hi David. I wondered if you might have any insight regarding hand-to-hand combat with a female protagonist.

"I recently read somewhere that a woman cannot "take on" a man, period. No way, no how.


"I know that upper body strength is an obvious issue, but wonder if there are certain things she can optimize, use to her advantage, or take advantage of in a male opponent, etc. And I don't mean basic self-defense either. I'm thinking equivalent to a trained, female soldier.


"Appreciate any thoughts."

After I wrote the first draft of my response to this, I found I was over ten pages single spaced on Microsoft Word.  Most blog readers don't want to read something long, so I have decided to split the answer into two blogs. This is the first.

Before I begin, I must warn you of three things:
  • It will still be lengthy;
  • It will be answered frankly and honestly as this Sandan (3rd Degree Black Belt) in Chinese (or Tracy's or Original) Kenpo sees it based on both personal experience and those he has had the honor of calling sisters in the brotherhood of black belts; and
  • If you harbor a false male ego that men are superior fighters because they are physically stronger, your ego will be shattered like a porcelain doll---a very girly porcelain doll. (I think I hear some shattering already.  Oh well. "Clean up in aisle 6! Clean up in aisle 6!")

Obviously, the answer to question if a woman can defeat a man is yes. Before I explain why it is, and at the risk of sounding like I am providing a mathematical proof, let me lay down a few things to be sure you and I are on the same page.
  1. I am assuming that neither the man nor the woman have any injuries, illnesses, mental problems, or so that would limit them.
  2. I am also assuming that these people do not have special abilities or magical powers, and so forth. If they do, this would still be true—as long as your world is treating them equally in the sense that they would otherwise be normal people.

I write the following with both the Kenpo Code and the Oath in mind. I have taken this oath since I was ten and done my best to live by the oath and the code.

The code is:
  • I come to you with only open hands, other weapons, I have not. But should Right or Honor require it my hands will bear me out.
 My oath is:
  • I solemnly pledge that I will use the art of Karate solely for the purposes of defense, never for purposes of aggression.
  • I will treat with respect both my teachers and fellow students.  
  •  I will strive to impart an attitude of respect and appreciation for the teachings of Karate, and an understanding of the responsibility that a knowledge of Karate entails.
  • I will never sanction the use of Karate for destructive or harmful ends.  I make these promises solemnly and on my honor.
Let’s begin by defining the word "fight". If we are looking at a ruled completion (as in a ring match) where there are certain things that are either required or disqualified, then either person may be over matched. I know rules are meant to make a competition fight fair, but they usually lean towards one style or ability (such as strength) over others.  Unless you are writing the next Rocky or Karate Kid tournament novel, rules will not apply to what you are writing.

(Sidebar: Police officers do have to follow certain rules on the street. Contact your local police department on what those are.)

This leaves us with either with hand-to-hand combat or a street fight. In either case, I personally follow these philosophies:

  1. (To borrow from Joss Whedon who said it best with his Character Mal Reynolds in Firefly)Someone ever tries to kill you, you try to kill 'em right back! (Sidebar: Just because you are defending yourself doesn’t mean you may not be arrested. However, a good lawyer can get you out of a jury of twelve. He can’t get you out of a box carried by six.)
  1. There is no such thing as the undefeatable opponent. Everyone and everything has a weakness. The trick is finding and exploiting it.
  2. There is an old Asian (I think Japanese) saying I heard as a twelve-year old boy that has stuck with me and I have passed it along to all those who I have taught any self-defense to: “A butterfly could knock down a man if it only knew where to place its wings.”

I will show you those weak points and how to exploit them below under “Butterfly Wing Techniques.” (next month's blog)

Let’s walk before we run.  

Everything from here on assumes the combatants are unarmed. This is a misnomer. If your character (or if it is you in real life) have clothing on, you are armed. You read that correctly. Unless you are naked and the ground you are fighting on is completely sterile and empty and your hands are empty, you can always have a weapon--even if that weapon is a stick of chewing gum. I will make that a separate blog subject in the future (September 8th).

(Sidebar: I once gave a student of mine a “homework assignment.” I asked him to think of anything that could not be a weapon. He came back and mentioned a few things. I showed him how they could be used as a weapon. I explained as I did so the real definition of what a weapon is. I had him do it again. He came back and explained about the various things he thought about (and I had to give him credit, he was quite inventive on showing how things could be used as a weapon) and concluded everything could be a weapon. He was right.)

How does a woman defeat a man? The same way any weaker opponent defeats a stronger one: by using their brains and their (dis)advantages to the best of their ability. A fighter is never brainless (unless you are writing zombies or berserkers). The stronger opponent doesn’t want you to think. He wants you to fear. The weaker opponent must think and use their fear to their advantage.

Before I go into how to see your or your characters advantages, let me tell you a story about someone who should not have been able to defeat stronger opponents. But, he did . . . quite often and it was fun to watch.

A late instructor of mine, Steve Leventhal was a great fighter. He was short, around five foot two to five foot four. His height did not prevent him from competing in martial art fighting competitions nor did it prevent him from walking home with the trophies from them. With his foot on the ground, he could kick a man over six feet tall in the head.

No, I’m not making this up. While I have always believed from my earliest days of Martial Art training that there was no such thing as an undefeatable opponent, watching Steve was watching the philosophy come to life every time he stepped in to the ring.

It is with great sadness that I must end this example by saying Steve passed away at the age of 27 from unknown causes in 2006. He was the same rank I am now when he passed away. His storytelling and his teaching is missed very much. Yet, his living lesson continues on in all those who watched him and learned from him—including me.

How did Steve do it? Simple! He used his brains, experience, and timing to get inside of the taller opponent’s reach. Once he was too close for the opponent to punch or kick, the opponent had to withdraw to a more comfortable distance. There was no way he was going to let the opponent do that. Instead he stayed on top and struck from his punching or kicking range.

If the opponent is stronger, use his strength against him.
If the opponent has more experience, use it against him. (It is quite common for Black Belts to be surprised by White Belts because the White Belts don’t know that they can’t do something.)
If the opponent is faster, use his speed to his disadvantage.
If your opponent is scary, use the adrenaline pumping in your veins to make yourself terrifying.

Do you get the idea? What are your or your characters disadvantages are, from there you can discover your advantages. No one is undefeatable. (Tougher than hell, but not undefeatable!)

As I wrote above, we will continue this discussion next month on August 11, 2012 with a blog titled "Butterfly Wing Techniques" that will go through all of the points where any man (as the saying goes, "be it ape, man, angel or demon") is weak.

Thank you for reading and please visit www.davidalanlucas.com and www.thewriterslens.com. You can also follow me on twitter @Owlkenpowriter and the Writer’s Lens @TheWritersLens. Fiction is the world where the philosopher is the most free in our society to explore the human condition as he chooses.

This Week's Book Giveaway: Serial by Legendary Master of Suspense, John Lutz


This week, Coffee with David is honored to bring its readers a master--a legend--of the thriller and mystery genre: John Lutz. This interview and giveaway was originally posted on The Writers' Lens. The winner never claimed their prize.

"If I've scared somebody enough to disturb their sleep--that's good."--John Lutz



David Alan Lucas: When you are starting to work on a new novel, what do you find brings the story into focus for you? A Character? A setting? Something else?

John Lutz: Almost always the characters, and something of their relationship with each other. The interplay between the characters is as important as the characters themselves.

DL: How did you learn to write suspenseful thrillers?

JL:  By writing and writing and writing. I think the more you write, the more you learn, and the better you write. Also I enjoy reading suspense novels; especially if they are set in New York City, such as Lawrence Sanders’ “Deadly Sin” series, published in the seventies. New York is a great place to set a novel.

DL: What key things make your thrillers work?

JL: I would like to think they work because of the characters. They have to be real enough for the reader to identify with them and on a certain level feel what they are feeling and share in their experience.

"As a writer you're getting inside the skin of your character in your book in the same way an actor gets inside the skin of a character he plays on stage."-- John Lutz

DL: What was the hardest part of writing thrillers and suspense?

JL:  It’s more difficult and time consuming to write a long, multiple viewpoint novel than to write a linear detective novel or conventional whodunit. There are more plates to keep spinning.

DL: You are currently writing about serial killers.  When you write their scenes, do you ever scare yourself?

JL: Nope. I’m too wrapped up in technique, and wondering if what I’m doing is working, to feel what I hope the reader will feel. It’s gratifying to receive e-mails from women thanking me for having scared them. Makes me think I’m on the right track.

DL: How do you sharpen your suspenseful scenes and when do you know, as the writer, that you have it the way you want it?

JL: When I believe I’ve revised enough, I set aside what I’ve written and come back to it later with a fresh perspective. If it still feels to me that I’ve nailed a scene or story, I’m satisfied.

DL: What themes in your fiction writing seem to drive you the most?

JL: I like my fiction to convey the notion that there are patterns and  real cause and effect in life (which is for the most part  pretty random) and that once we discern what’s happening, we have the ability to cope with it, or at least learn to accept it.

DL: Do you work on multiple novels at once? If so, how many?

JL: I take it one book at a time, though if I’m between phases, such as a finished first draft, or a second, I might work on another project. I’m probably giving the impression that I revise a lot. I do.

DL: How easy was it to take the leap of faith to become a serious writer and chase this career? What did you find that you had to do to take the step?

JL:  When I received a surprisingly large advance for a novel, it became apparent to me that this was my most marketable skill. I knew I could combine what I very much enjoyed doing (writing) with obtaining what I very much needed (money). A liberating moment.

DL: In years past, new writers would battle their way in the pulp magazines to build their readerships and their careers. Do you think that is still the case in the explosion of electronic readers, blogs, e-zines, and other like media? Who do you see as the current gatekeeper of the good writers and those who are still developing?

JL: A comprehensive answer would take several pages, and then it might be far wrong. Maybe the most interesting thing about book-biz these days is that no one knows for sure where it is headed. Where we’ve been, and where we are, might be much different from where we’re going. There seems to be no gatekeeper, and the gate is wide open.

DL: When you plot your novels, from whose point of view do you plot from? The protagonist’s? The antagonist’s? The narrator’s? Some one else?

JL: In a thriller I write from several alternating  points of view. I also like to write more linear PI novels from the protagonist’s POV, and in third person.

DL: Arthur C. Clarke once wrote that when science catches up with the science fiction writer, the science fiction writer needs to make a leap forward.  With fictional shows like CSI and reality TV shows like Killer Instinct, do you feel that you have had to take a leap forward as a thriller writer to stay atop of the changes in the science of criminal investigation? How do you stay ahead of the game?

JL: Definitely we have to leap, or at least crawl, forward to keep up. DNA alone has forced many changes. Cell phones mean everyone can be in touch with everyone else. The Internet provides information it took fictional detectives not so long ago weeks (or chapters) to obtain. The more sophisticated cell phones become, the more we crime writers have to adapt, because almost everyone now has a cell phone, which is also a camera, which is also a GPS system, which is also a research library, which is also a newspaper morgue, which is also a recorder, which is also…

DL: What novels, books, articles, magazines or other media most useful when you are researching serial killers and criminal investigation?

JL:  See above. Google is probably my main source of research material.

DL: You are a master and a legend in the genres of suspense and mystery.  What was your biggest fear when you decided to first be published as a novelist?  Do you still have those fears with each new book or are there other fears that come up?

JL: Like most of the writers I knew when I was starting out, my biggest fear was that I wouldn’t sell enough copies to prompt the sale of another book. Fewer fears now. I’m more confident that if I take the time and trouble to revise, I can make whatever it is I’m writing work, Unlike many writers, I really do enjoy revising, so that’s not much of a problem. It’s meticulous work, but it’s what  lends the fiction life.  To paraphrase Mark Twain: “The difference between the adequate word and the precise word is the difference between the lightning bug and the lightning.”

DL: What is your writing schedule like?

JL: I usually work in the morning, then after lunch revise what I’ve written.  In both morning and afternoon, before starting to work I check e-mail, Facebook, Twitter, to make sure nothing requires immediate attention.

DL: If you could have coffee (or drink of your choice) with four other authors from any time period, who would you choose and why?

JL: Shakespeare, to see if I could get an honest answer out of him.; H.H. Munro (Saki) to see if I could figure out how he did what no one else has been able to do; Joseph Conrad, to see if he talks as rhythmically as he writes; Edgar Allan Poe, to see if I could cheer him up.

DL: How could my readers learn more about you?

JL: They could visit my Facebook author page, Twitter, or my website, http://www.johnlutzonline.com

Here are some additional videos on YouTube about John Lutz and his stories:
John Lutz: The World of Frank Quinn: http://youtu.be/ZrH6MlWQaek
How do you win a free copy of this book?  To enter the contest, simply leave a comment or question on Coffee with David blog between now (July 14th) and midnight July 20th, 2012. Please include your email so we can reach you if you win. The more comments you leave, the greater your chance of winning the contest. If you refer others to Coffee with David who mention your name in their comments, I'll enter your name again in our random number generator along with theirs, also increasing your chances at winning! The winner will be chosen after midnight on Friday, July 20th and the announcement made on Saturday, July 21st. Good luck and comment often. 

Thank you for reading and please visit www.davidalanlucas.com and www.thewriterslens.com. You can also follow me on twitter @Owlkenpowriter and the Writer’s Lens @TheWritersLens. Fiction is the world where the philosopher is the most free in our society to explore the human condition as he chooses.

Saturday, July 7, 2012

This Week's Book Giveaway: Hitchcock on Hitchcock


This week, in the spirit of the series I have been writing on The Writers' Lens (How to Write Hitchcockian), I am reposting the giveaway of an entire book of interviews with and essays by the Master of Suspense himself. This book is one of my key resources when I want to dive into the mind of the Master. Sadly the winner never claimed their prize.

The following is from Barnes and Noble: "Gathered here for the first time are Alfred Hitchcock's reflections on his own life and work. In this ample selection of largely unknown and formerly inaccessible interviews and essays, Hitchcock provides an enlivening commentary on a career that spanned decades and transformed the history of the cinema. Bringing the same exuberance and originality to his writing as he did to his films, he ranges from accounts of his own life and experiences to techniques of film making and ideas about cinema in general. Wry, thoughtful, witty, and humorous--as well as brilliantly informative--this selection reveals another side of the most renowned filmmaker of our time.

"Sidney Gottlieb not only presents some of Hitchcock's most important pieces, but also places them in their historical context and in the context of Hitchcock's development as a director. He reflects on Hitchcock's complicated, often troubled, and continually evolving relationship toward women, both on and off the set. Some of the topics Hitchcock touches upon are the differences between English and American attitudes toward murder, the importance of comedy in film, and the uses and techniques of lighting. There are also many anecdotes of life among the stars, reminiscences from the sets of some of the most successful and innovative films of this century, and incisive insights into working method, film history, and the role of film in society.

"Unlike some of the complex critical commentary that has emerged on his life and work, the director's own writing style is refreshingly straightforward and accessible. Throughout the collection, Hitchcock reveals a delight and curiosity about his medium that bring all his subjects to life."

How do you win a free copy of this book?  To enter the contest, simply leave a comment or question on Coffee with David blog between now (July 7th) and midnight July 13th, 2012. Please include your email so we can reach you if you win. The more comments you leave, the greater your chance of winning the contest. If you refer others to Coffee with David who mention your name in their comments, I'll enter your name again in our random number generator along with theirs, also increasing your chances at winning! The winner will be chosen after midnight on Friday, July 13th and the announcement made on Saturday, July 14th. Good luck and comment often.

Thank you for reading and please visit www.davidalanlucas.com and www.thewriterslens.com. You can also follow me on twitter @Owlkenpowriter and the Writer’s Lens @TheWritersLens. Fiction is the world where the philosopher is the most free in our society to explore the human condition as he chooses.

Tuesday, July 3, 2012

A Change Up on Coffee With David

Finally after Hurricane May and June at my bill paying job, I can finally get this blog back on track.  However, this month is going to be a little bit different. If you have been following me posts, you know that I conduct book giveaways on my own blog Coffee With David (http://davidalanlucas.blogspot.com/) and The Writers' Lens (www.thewriterslens.com). Surprisingly, even though people comment, they don't always claim their prize. Because of this, I will be posting the book giveaways and any interviews where this occurred over on the other site. 

Beginning July 7, each week you will have a chance to win a book if you comment. 

Also, I know I promised last month to delve into the various kinds of training that a trained fighter could master and what those disciplines entailed. However, one of your fellow readers posted a question and I am going to tackle that answer in this month's "Writing the Fight Scene." It will endeavor to answer the question, "Can a Woman Take on a Man in a Fight and Win?" I must warn my readers that:
  1. It will be lengthy;
  2. It will be violent;
  3. It will be answered frankly and honestly as this Sandan (3rd Degree Black Belt) in Chinese (or Tracy's or Original) Kenpo sees it based on both personal experience and those he has had the honor of calling sisters in the brotherhood of black belts; and
  4. If you harbor a false male ego that men are superior fighters because they are physically stronger, your ego will be shattered like a porcelain doll---a very girly porcelain doll.
Oh...and I will share quite a bit of the how-to-do its.

Won't you join me?

A final note to all my readers--those that comment and those that just read silently-- from around the world, I would like to thank you and ask that you do post questions. The blog is as much my readers' as it is mine. Feel free to ask questions and I will be happy to either answer the comment with a response or an entire blog.

Thank you for reading and please visit www.davidalanlucas.com and www.thewriterslens.com. You can also follow me on twitter @Owlkenpowriter and the Writer’s Lens @TheWritersLens. Fiction is the world where the philosopher is the most free in our society to explore the human condition as he chooses.

Monday, July 2, 2012

The winner of Coveted is . . .


The winner of Coveted, by Shawntelle Madison is Cheryl Malone. Congratulations. Please send me an email at David@DavidAlanLucas with an address that I can FedEx your book to.

Thank you for reading and please visit www.davidalanlucas.com and www.thewriterslens.com. You can also follow me on twitter @Owlkenpowriter and the Writer’s Lens @TheWritersLens. Fiction is the world where the philosopher is the most free in our society to explore the human condition as he chooses.

Saturday, June 16, 2012

A Writer with a Learning Disability in Written Expression


Writing can be very difficult for many who do not have a specific learning disability (SLD) in written expression or reading. When you do have one, it makes the climb all the more difficult. I understand that I am a statistical anomaly, as most with this SLD would rather avoid the pain than struggle for something that they can love. So how do I it?

Here is what I have learned from the good teachers, the bad ones, and the ones that almost destroyed me. Here is what I have learned from watching my parents sacrifice to get me the help I needed to be able to learn and achieve. Here is what I have learned by crawling this long trail every day.

1. Have faith in yourself. 

Many people in this world get more out of destruction than they do from creation. With an SLD, you are vulnerable to others’ reactions to this condition. Speaking for myself, I have often felt shame when I looked at my handwriting, spelling and organizational skills. I have run the emotional gauntlet that a lot of us with SLD run. I will not go into that gauntlet here.

The one thing that I have let my SLD stop me from is something most normal people take for granted. I do not write holiday cards or notes to people in general. I hide behind electronic communication. The reason I do this is: 1. they can read it; and 2. they cannot judge me by my handwriting or lack of spelling. I will discuss how I work around the spelling problem in a few moments.

Confounding my diagnosis of SLD, I was also diagnosed with ADHD. I often do not invite people over to my home because of the organizational skill issue. My difficulty with organizational skills is a primary result of my ADHD. I am very well organized for me. However, I have seen in the faces of friends their expressions when they see my clutter. To them I can only say, it is the way my mind works. A boss once told me “I would be worried about where things were on your desk if I didn’t know I could ask you for something and you would know exactly where it was .”

When I have felt at my lowest or like I cannot achieve, I have always repeated a saying that was on a plaque that my step-grandmother gave to my father and that I “stole” as a child and have hanging on my wall even today: “Don’t worry if you work hard and your rewards are few. Remember! The mighty oak was once a nut like you.”

After I laugh at this, I then reflect that I must be a nut. I punch and kick against the very obstacle that will never go away in order to chase my dreams.

2. Keep the people who believe that you can achieve close to you. 

I have crossed the paths of many people in my life who do not understand SLD. Sadly, many of these people have been teachers. I wish I could say that the teachers and symptoms of misunderstanding was a thing of the dim ages when the understandings of SLDs were first coming out. However, I cannot. I can, with great joy, say that there are a lot more teachers who have some understanding and are trying new things to help.

It is not that we cannot learn something. It is that we learn differently. We have such a range of abilities that you have to give the “normal people” a little slack. (For you normal people who are reading this, let me try to help you understand what I mean. All those who have an SLD, pardon me for just a second. Here is an example. Imagine a fourteen-year-old child entering High School. Now imagine that he has the handwriting skills of a fourth grader and the spelling abilities of a sixth grader. Do you have that image in your head? Now, for the kicker: he has the math skills and the understanding of science and history of someone in college. He also has the reading comprehension of a person who should have their PhD. This is what I mean. In case someone thinks I created this fictional person as an example—it was me at age fourteen.)

Ok, back to you SLD friends and those who might be reading this blog to see what they can do to help. I mentioned that I ran into some horrible teachers. I did and I can write pages about what they did. I won’t. It is the teachers and the others I have met in my life who have been the cheerleaders that are and must be the most important. They have faith in you when you do not have faith in yourself. Hang on to them. Stay in contact if you can and when you are feeling down, turn to them AND LISTEN.

3. Never stop working at it

People often comment on how I have so many facts in my head or that I never accept where I am, but push myself too hard. What they may not realize and I will admit now is that for me, that is survival. I never stop learning and I never stop finding ways to keep myself improving. I do not limit this to trying to improve my handwriting, spelling, and writing in general. This is also applied to my study of martial arts—which sometimes means I am doing things on injuries that I shouldn’t—or to my personal development in other areas that I am already good at.

Many people become “life-long learners” because they like learning. Don’t let anyone take away your desire to explore and to learn. Don’t let the drug dealers and gangs hook you because you feel like an outsider or cannot be successful. Don’t let the bad teachers keep you down. For you and for me, “life-long learning” is a survival trait.

Let me tie this to point number 1. Take the following words out of any personal philosophy you may have: surrender and retreat. You cannot afford them. You can never surrender, never retreat, never give up, never stop trying to improve yourself. If you do, those who want to pigeon hole you into a role less than you are will succeed. Further, if you don’t have one, get a library card and use it until it falls apart and then get another and another and so on.

If you don’t like learning, it is how you have been trying to learn. Don’t stop trying other ways.

4. Understand that the problem will always be with you and show up when you don’t want it to. Learn to work around it.

I have an uncle who was a great teacher. However, several years ago he and I had a discussion on SLD and Attention Deficit. He said that we grow out of the problems. I wish that was true.

The truth of the myth is that we learn to adapt. What personally annoys me with my SLD—ok, one of the many things that annoy me—is that I can spell a word a thousand times, and then I can’t spell it again. It is often an easy word. I look at my SLD like an annoying cough. It pops up when you do not want it to. In some cases there is nothing you can do about it (for example: if you are taking a test). In everyday life have your methods and tools to get around these times at your fingertips.

What methods and tools am I talking about? Keep reading.

5. Make your best friend the Thesaurus

Unfortunately, schools teach how to use the dictionary before they teach the thesaurus. Yet, I do not know how it could be taught any other way. I have learned that with my spelling problem I can recognize the word when I see it (thus the high reading ability) but I cannot spell it worth a darn. I can turn to a good thesaurus and find what I am looking for by looking up a word that has a similar meaning.

6. Make your second best friend the Dictionary

If the thesaurus fails you, turn to the dictionary. Finding words you are having trouble spelling are harder this way, because you need a sense of how to spell those words. If you are not too far “off the mark”, it can be a quick hunt. For myself, I can be way off the mark and the hunt can be VERY time consuming.

7. Find a way to taste success and hunger for more

One thing you need to do is find a way to be successful at something. For me I tasted success through the Boy Scouts and through Karate. From these two things, I learned what I needed mentally to keep myself going and to keep at it. I graduated from High School, college and even obtained a Master’s degree. (Not bad for someone who was told by the horrible teachers he should drop out of middle school and high school.) I had some great leaders in scouts who kept me going and pushed me to Eagle. If I had not reached my Eagle Scout rank before I was fourteen I do not know if I would have had the same hunger to prove myself as I went though High School and college.

8. Use a computer

You are living in a great age for those with SLD. Because of my handwriting, I started to learn to type on an old manual typewriter when I was in first grade. That was the first intervention that I had, and it was before I was diagnosed with my SLD. Obviously, it did not have spell check, grammar check or allow me to move paragraphs from one place to another.

The computer word processing programs today do. Use them! A note of caution: Use them, but do not rely on them 100%. They do make mistakes. Always trust the thesaurus, the dictionary, and a good book on grammar.

9. See if your symptoms go beyond just the academics

I am not sure if the physical aspects of my SLD are the same or similar to others. However, when I was diagnosed with my SLD, I also had many problems with balance and hand-eye coordination issues. If you have a SLD or your child does, I would recommend checking to see if there is anything beyond the classroom that needs to be assessed. This can be done by asking for a referral for an Occupational Therapy (for the hand-eye coordination and fine motor skills) and/or Physical Therapy (poor coordination) evaluation .

Now, an example of how these “beyond the academics” issues applied in the classroom: Part of my difficulty was that I could not transfer information from the blackboard to my paper. I could read the blackboard. I could read my notepaper. I simply could not take down the notes from the board to my paper. What did I do? Follow me for one more step.

10. Find the things that can help you improve 

I had to have quite a few interventions and I still use many of them. I do not know if all those with reading or written expression LDs have these issues, but just in case here are some things that help me.

A. You need emotional support from family and close friends who try to understand what you are going through;
B. A thesaurus;
C. A dictionary;
D. A book on grammar;
E. If you want to write like I do, find friends who are good editors. Use them, listen to them, and appreciate them—and make sure they know you do;
F. Summer school is a good thing, not a bad thing—do it even if you do not need it, it will help;
G. Outside tutors - I would recommend getting someone who can work with your SLD;
H. Constantly work on improving yourself (don’t just focus on the areas of your SLD, but work on those harder);
I. A blackboard and mechanical chalk holder to practice handwriting;
J. A balance beam;
K. A balance board;
L. A laptop or desktop computer with a good word processor on it (and keep the spell check and grammar check on—but remember it does not catch everything);
M. Pen or pencil grips (I wish I knew what they were called, but they look like little pyramids );
N. Some type of desk or way to slant any writing surface you need so that it is at a comfortable slope (Flat desks hinder my handwriting);
O. Read and read and read some more (if reading is your SLD—Audio books are great! I use them and I love to read. At worse, get a book and read along as best as you can with the audio book, even if you can’t get very far. You will still get the book through the audio book. Oh, one note: Try to get the unabridged versions of audio books);
P. Never give up on yourself (I know how hard that can be—all too well);
Q. Play video games daily (but not into excess of homework, exercise, and living life) to develop hand-eye coordination (I had to do a half hour a day minimum);
R. Get involved in a sport like karate, fencing, boxing and so forth were you can develop on your own at your own speed and improve your hand-eye coordination;
S. Get into something where you can be successful (for me that was Boy Scouts and karate. For you it may be something else) and can take that success to other parts of your life;
T. In school, you will have to take a foreign language. I learned in college that I was a lot better at the non-European languages (especially in writing—what little I can write in Chinese or Japanese is a lot easier to read than what I hand write in English) than I was at the European. You may want to explore it and see how you do;
U. Finally, never allow someone to put you down for your SLD.

Thank you for reading, even if you do not have a SLD in written expression or reading. If you do or if someone special to you does, I hope this was helpful. I may have a SLD in written expression, but I refuse to let it put a collar and chain on my muse. I will keep up my battle in order to do what I dream. Won’t you join me?

Thank you for reading and please visit www.davidalanlucas.com and www.thewriterslens.com. Fiction is the world where the philosopher is the most free in our society to explore the human condition as he chooses.